limited to 500 copies! seamus haji on the controls for this limited remix of stonebridges chart climbing bomb, sos. mr haji injects this crossover club cut with the synth riffs from freezes hit aeiou and serious dancefloor beats. act quick, this is a one shot deal.we are very pleased to see stonebridge having the biggest tune of the moment because these guys really deserves it. the much sought after track of the moment guaranteed summer hit

frederik hatsav (aka metalogic) is a toronto based dj and producer. since 2000, fred has released work on several different labels, as well as a full length album on his home label boshke beats records (home to midimiliz - extrawelt, the rockitmen, fuzzion and x-dream). he is also known for >the rockitmen<, a collaboration with alex tolstey, the man behind boshke beats records. for his latest work, fred has teamed up with torontos hottest underground dj and musician, jamie kidd. together fred and jamie produce a fresh driving sound, cut with a growling undertone that leaves you feeling like youve been properly assualted on the dancefloor

2nd part of the new supersounds label afro funky. next up is a high octane afro disco cut previously only available on an lp ashantis everybody. on the flip the kings of the library music scene cluade larson wih a slow burning funky aural travelogue , first time on 12inch and sounding super fat

relatives was started just after the summer of 2006 as a sublabel of adult records. the third cut comes with a wide range of techno jocks. powerfull techno peaktime tracks by p. delgardo & p. walls, sinisa tamamovic, axel karakasis and zoran !!

jay west and christian mallloni have joined together to create a hybrid filter funk sound all of their own. the original reaks havoc on the dance floor creating serious synth sweeps and bass drops to keep this track versatile and improvisational throughout. the vocal sample quirky as it is rings in your head while the percussive rhythm and killer bassline dri this piece home. nightshift boss man hipp e steps up for the b side with a new style and brings down the house. extended peak time mix here with big synth rides, crispy rhythm and big kick. wicked breakdown riddled with bits from the original and ever expanding sonic modulation takes this cut to the limit

louis benedetti with a cool atmospheric dope cut here coming in 2 mixes a record for those whol like dennis ferrer and the likes

australias uprising new star in the dance music scene getting a huge remix package for his electrofunk vocal anthem slide steve mac and electro funk lovers on remix duties here not to be missed

tjr continues to fold his own unique style of house, acid and techno. fresh, funky and exciting best describe his newest productions. archipels pheeklends his hands+ears on the remix. puckmouth is the main cut found. chicago influenced rhythms blend with analog bass as jack beats flow. synth effects float with the snare attack. tweaked. slowly pushes hands into the air. funky ho medina sounds like classic dance mania on modern pills. snappy percussion builds with quick edits. detuning madness arrives via keyboard runs.pheek (archipel/leftroom) reworks puckmouth with an energy boost. a slowly growing dimension of sound that is constantly trying to climb higher. this remix is a deadly, twisting your brain and eardrums

introducing echospace detroit the stunning new imprint from rod modell of deep chord and steve hitchell aka soultek. kicking off with the amazing >vantage isle< (triple lp) by deep chord which features the first ever remix by our favourite, convextion. written & produced by rod modell & mike schommer especially for their incredible performance @ the detroit electronic music festival. re-mastered and transferred from reel to reel tape recordings by rod modell then mastered and cut by ron murphy @ nsc. limited edition. includes two individual 12inchs and a clear 7inch pressed on lush smoked vinyl.

von sudenfed are a trio formed by andi thoma and jan st werner from mouse on mars and the fall’s brilliant, anarchic frontman mark e smith. fledermaus can’t get it is the perfect introduction to von sudenfed, combining the genre-smashing attack of early-millennia club music with mark e. smith’s free-associating visionary wordplay

new kanada is excited to present two deep advanced house cuts from the mood edit group. >santa domingo< is a peak-time monster house cut - seamlessy blurring the line between minimal and maximal. seriously jackin and bumpin beats collide head-on with haunting sirens and swirling textures. fast enough for the big room - but with a depth and rumble that screams >lock the doors and bring out the good stuff!<. >broken< begins as a tight minimal beat with gritty breakbeats dropping into the mix. slowly it expands into a frenzied piece of surgical funk that fits somewhere between nicolette s >dove song< and carl craig s >bug in a bassbin<. a long extended 8-minute journey into deepest water

this is the new single from new york electro act the glass. come alive is a vocal club cut with throwbacks to manchester and early uk rave with a modern electro twist. there are with two banging remixes main floor remix by kasper bjorke (from danish band filur with tomas barford aka tomboy) and hip hop legend stretch armstrongs mix that brings a breakbeat/vintage electro and freestyle flavor to the track

this impressive new release features a set of rocking dancefloor tunes from the hands of brazilian superstar elton d and his partner in crime snoo !! for your pleasure this stuff was cut up and mixed with uplifting, funky skills of hertz and boriqua tribez

mr. >consistency< john dahlbäck is unstoppable. rarely anyone is able to deliver so many dancefloor grenades in a row. >i slide (flatfoot mix)< is just another slamming electro flavoured monster tune with a rather uk-garage styled bassline, cool vocals and fierce house drumming – put together in a stunning arrangement. the original mix starts less offensive but then turns into a gigantic rave anthem! jd doesnt take any prisoners with the last cut

lerosa is dublin-based italian producer leopoldo rosa. the title track ruski combines a rough-cut sampled break with a loose, minimal arrangement of sub-bass and liquid synth pads. on the flip, russell and tempio are deep, moody house explorations, beautifully suspended by shifting sine wave pads and rhodes-like chords. born in rome, leo developed a love of electronic music through italian pop music of the 1980s, before discovering hip hop and acid house. he began djing in the early 90s and in 1995 moved to dublin where he got heavily into darker, deeper electronica and electro by the likes of autechre, drexciya and the extended detroit-inspired musical underworld. leo began producing his own music in 2000, concentrating initially on electro but broadening his range into unconventional house and techno styles. his debut lerosa release was the ‘maike ep’ on dublin’s d1 recordings in 2005. as well as this real soon release, leo also has a forthcoming 12inch on enclave recordings (ireland)

a deep vocal house cut from new label sugardub, with a balearic beach vibe, smooth progressive bassline and a jazz feel. debuted at wmc and is a perfect summer record, an essential cut for your soulful open sky late night set. incls 2 dub mixes as well

the fourth in numeros disco 12inch series comes from the archives of the bronxs tap label. found on a reel marked rub a dub this 8 min disco rap cut was an instant classic in the numero offices. included here are both vocal and instrumental mixes.

two figureheads of detroit house and techno join forces again for this shuffling, distorted mid-tempo techno cut. heavy platter

nerven is without a doubt one of the most outstanding hard techno imprints about. for the latest cut labelboss marcus remus signs mastermind bold, who dropes a huge slammer in the true nerven style you´ve come to expect

killer release !!! minz is simply introducing himself by a few words… influenced by techno, house, acid & dub, minz creates deep electronic dance music with attention to detail. on the a-side, minz gifted us with the unbelievable chinese drip. a pure mix of modern minimal music and the too long left asleep « deep » side of things. this track is indeed a delightful journey trough the minz world. groovy, sexy, deep and incredibly dance appealing. oceanic oscillations starting from below the sea level and reaching the sky to dive again! clap your hands, shake your booty ! get the crowd on their knees with the tool of 2007 ! the b-side host an even deeper cut, >we are the new me< sports a basic channel inspired groovy beat, sparkling spacey sound designs and that ultra deep bassline that just get you on the floor. minz is clever enough not to follow its predecessors and develop again a very personal groovy and delightful track. finally, >none.of the mill< is a wonderful piece of the minz ambient world enlightening us with a different point of view, a different perspectiv..

wagon repair welcome a new artist to their ranks in the form of italian minimal master luca bacchetti. after a host of releases on italian label tenax, spawned from the cult club of the same name, this is a heavy dose of entrancing minimal - equally suited for the dancefloor or the late train ride home. a side >rolling brooklyn< pushes the envelope a bit further, a busy and investigatory track driven by sniffing snare sounds, moist synth balloons and screeching metallic accents. ascending from chaos to minimal bliss. distinctly urban, b side >what ever< progresses defiantly amidst reverb laden howls and sirens, throbbing to climax with stabbed bass and rolling percussion in an inpenetrable surge to the senses. final cut >flat mates< keeps up the pace. led by a dizzy synth haze and fueled by a tight house rhythm, luca adds acoustic metal drum sounds into the mix to broaden the tone.

raul rincon takes this fine cut up a notch with his now, trademark touch & turns good loving into a peak time monster. tough, driving, chunky tribal rolls & beats guaranteed to rock your world played by all the usual suspects

andrew k presents a pure progressive house new generation cut, entitled closure, an authentic bomb full of good sensations.it comes together with the spectacular vision of inkfish & tronso, who bring from their native norway the most up to date electro prog style.without a doubt one of his most complete and great attitude works, of course

here comes the eight ball in the software pool game… the labels colour is black and the labels boss hd substance is kicking balls. once more a luscious and deep release: on a side >someone down< is a driving track, full of 808 percussion work out over a sub bass frequency reminder of the old lfo records, on top of liquid synth layers and bubbles, hds trademark sound, a sure winner. on the flip side silicon cut goes more dubby and basic channel infected, with aquatic synth stabs and a moving bass line perfect for sub woofer testing.. future and tradition in one pack. as a gift a one minute japanese speaking intro for those who understand life in tokyo. spring comes, take your copy and enjoy

sandy warez drops a monster ep on the corporate label with 4 tracks of hard distorted madness.. supported by rush, paul langley, jaime bissmire, rowland the bastard and lenny dee

chunky cut up and deep house grooves on dj sneaks label includes a chuck daniels remix

brand new - second on surprise - twelver from this international deejay / electrotech producer under his onderklank guise. the title track has the spirit of carl craig and motor city detroit written all over it. the first track on the flip reminds us of tracks by thomas schumacher mingled with old school flavours of newbeat and early trance. the twelve inch closes with a spicy dancefloor cut (the other tracks are also for that clubfloor as a matter of course) with a melody that could be produced by gregor tresher while on the other hand, the beats have a bit of radio slave ingredients.

big with john dahlbäck, zoo brazil, thomas schumacher, umek, john acquaviva the spanish-based production kings (cocoon, submission, sadie) and label-owners (sonic society) pig & dan, return to pickadoll with some truly balearic & beautiful techno tunes. the track 88 (make no mistake – this is true dance music!) is a hypnotic journey based upon slightly modulating old-school chords. the combination of rather well known >back in the day< aesthetics and the modern minimal feel make this a truly professional masterpiece. the b-side starts with a dark tekkno monster called >blobz<: arpeggios, stripped-down drumming, reverbs go to make up an unbelievably raw ecstasy music which then develops into a neo trance extravaganza with some highly impressive breakdowns! the last cut >robots< consists of video game sounds, sexy beats and some almost psychedelic guitar-like licks… after-hours madness guaranteed!

nice price deal !!! hot electronix by marco bernardi and a super sweet remix by kettel! minimalistic electronix with a touch of cut-up 4 to the floor techno and wierd vocals. kettel delivers another great remix with stunning melodies and soft rolling beats. very nice and gentle! huge reactions from afx twin , sven väth, r.hawtin, michael mayer !!!

big with: damian lazarus, kiki, jimpster, ripperton, p.toile, m.monday daso franke, a fellow well known not only for his fantastic releases on mbf and connaisseur, but also for his furious live-sets, sets out to bring the noise again. after having been inspired by the nerdy world of old-schoolish adventure games for his last release, he uses the dissolute world of absinthe as an afflatus this time. he takes us to a land where alluring little green fairies buzz around and people cut their ears off under absinthe’s massively woozy influence. thujon: the impact of well-made absinthe depends on its concentration of thujon. it can best be described as a kind of heightened clarity of mind and vision. and this is what this track is all about - 100% thujon! louche is the name of the cloudy effect you achieve by adding water to spirits, which contain anise, like absinthe does. this track starts with a low-key groove, which forces up to a mental dance affaire, including a genuine rocking daso-esque break

buzzin fly celebrates its 25th 12inch release since its launch in april 2003 with this jam packed mini anniversary ep featuring classic tunes in modern revivals featuring label artists and fly friends. side a features ben watts top selling debut cut lone cat in a superb 2007 re work by dennis ferrer and the new york prodigy steve martinez. to close the side, ben delivers the original mix of his tendertough beatless spoken word piece, old soul. finally justin martins pivotal 2003 debut cut for the label, the sad piano gets a jimpster modern remix treatment here

sebastien leger and wookie on remix duties here top club material of the timberlake number

low down music returns with some sexy tunes to put the spice back into every djs house collection. deviate brings us the heat in perfect timing as temperatures out doors are decreasing! deviate brings us groovy business that people will bundle up and head to the shops for 3 jammys to work a mood with. one deep cut to put close your eyes and nodd your head to a jackin techy joint on the inside that the likes of chicago greats derrick carter dj heather johnny fiasco would raise a glass and toast to and a sunday morning soothing song to bring the sun up with! a prefect pick to go along with da sunlounges last relase on amenti music and most if not all johnny fiasco produced releases from tonic recordings or klassik fiasco.

progressive electro dance music supported by don diablo, laidback luke !

after a few hot releases on labels such like floppy funk, moonharbour rec, logistic, tom ellis and leif are back in action here with this four track ep titled >refresh/repeat< ep where we are definitely hooked up by their so recognizable style and where they show us their way to mix great crunchy sounds, cut weird voices, jazzy rythms, loud basses and all combined with an impressive sense of groove

new german artist moqito has obviously grown up on a diet of b boy sounds as displayed on this debut! the raw beats of headache of a poet cut to the edge and its definitely got all the drops down, crashing and breaking up as the whole mix thunders along.

the sound of miami wmc 2007! celebrated us producer/dj john julius knight returns to the production forefront with his highly anticipated soulfuric trax ep trax for my head.it features three very diverse productions and is set to capture the attention of a wide range of djs, making this ep a perfect example of jjks ability to create varied sounds to maximum effect. the cut rolls in as a captivating french kiss style tune, that fuses classic house sounds with contemporary beats, making this a seriously gripping instrumental only track. most likely the biggest surprise production wise, the rush is a laid back but equally powerful tech cut. the blend of atmospheric sounds, tight beats and a driving bassline creates a sublime musical weapon. with what is love jjk delivers a prime time bomb, that is set to create some real heat on the dancefloors. uplifting strings and a pumping bassline build the core of this explosive production.

this is fine modern and 80s infected funky cut up disco house at it best.. summer tune!!!

well respected chicago reissue label numero drops their first 12. 4 cut ep feat two original cuts and two new re edits (both re edits done by one of the producers behind the shoes 12s). lord rhaburn combos mad disco funk cut disco connection on the a side and the slow and funky guajida from jesus acosta on the flip. mad retro funk disco goodness!

>1911< on side-a comes with a fat hard beat is running and flowing synth-work is building up and up, effected disco flavor sub-bass twils as if heiko laux and james holden would be collaborated together, even minilogue sounds, massive tech-house. >pixy zap< on side-b,is more cool sense of attitude with really deep acid-bass and synth-pad is on, with element of dubby and sexy minimaltech house. second track >als< on side-b, sounds as with cut up style and feels as delicate sensibilities, mad underground flavor

dj support : jennifer cardini, shinedoe, tobi neumann!! 8bit rojo on side a is a hard dirty groover. starting off as a straight up jacker that over a three minute progression turns into a heavy peak time cut. with a low rez processing throughout the percussion and overdriven subs the name of the game of this track is dirtyness. bouncing underneath the dirt is a slick gliding bass line that slides down from 100hz to 40hz. sure to work the dancefloor from peak time to down time. the b side red tide is a deep headstrong slow builder that elevates like an induced acid frenzy. massive funky techno

here it is. the follow up to daze maxim s fabulous 12inch entitled >simply driving gold< (hello004) which is without a doubt one of the most stunning releases of 2006. on this ep daze hits you again with a funky, bleepy flow to make you bounce. >pull absurde< - the opening and title cut - is a dry, hard hitting, n driven track, accented with daze s typical vocals and breakdowns from outer space. a real bumper. the flipside holds a rough percussive and hypnotic trip - take me home. with this piece mr. maxim proves again his highly individual taste and takes us into a deep journey through the endless world of his musical spectrum …. listen carefully. welcome to planet pull absurde

amazing italo disco anthem! very obscure early italo release previously released on the cult label il discotto (comes as extended instrumental and vocal version). beside the fact this goes for top prices on ebay and has been supported by all the freaks of the industry... this is just a magical piece of music. another essential clone classic cut

disciple of groove is a fresh new label dedicated to the teachings of deep house, influenced by electro, nu disco, space atmospheric beats & cosmic grooves. for this superb debut they have called upon ilya santana already known for his work on balihu, airtight, permament vacation and dessous. hes been supported by artists and djs including daniel wang, linstrom, prins thomas, tiga, steve bug and more. there are 2 a side tracks, analogic mind and blackhole, both inspired by the analogical synthesis of the vintage systems, emphasising a powerful bassline of one of those legendary synths. trademark santana sounds with disco soundtrack nods to giorgio moroder, koto, kano, gaz nevada. the flip includes a remix by jl salvatella, a more straight up dancefloor cut and some bonus beats too

alex bau has succeeded in creating a truly awesome brand with the credo imprint. the first 3 relases have all been extremely highly acclaimed and have been working extremely well on the techno floors across the world. this release again is truly cutting edge with the a side being a distorted bass heavy techno monster with its heavy rumbling bass and very cool 3/4 drum rhythm. on the flip we are treated to another blistering cut as this time the influence is old school elctro with its rolling break groove and heavyweight bass and synth sounds.

6th release on i records sister label i2 records by richard les crees with a filtered funky house cut includes a jackin bryan jones remix

funky filtered house cut with a techy edge by yug feat helen garcia on vocals originally released in 2003 on jamayka blue a must have

with their interpretation of i see a different you jan krause and michael mettke, better known as beanfield, give us an other fine example of their definition of soulful electronics which will keep the dancefloor packed! on the b side we see a different remix (harhar) of the same song, this time rearrranged by the promising production duo innocent sorcerers out of warsaw, making a name for themselves with their releases on raw fusion. attention the innocent sorcerers remix of i see a different you is nominated the best track at gilles petersons 2006 awards.the final cut is alif trees shakin the angels remix of come to me and everyone who is expecting abstract jazzy beats like on his album french cuisin is off the beaten track. le chef du cuisine is cooking up koop techno styleee as he did previously for his also well appreciated felix laband mix.

special re-press of this monstertune , a side is a funky minimal track, flipside with more throbbing electro house cut with 80s spirit!!